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A BIOGRAPHICAL film chronicling the life of Michael Jackson is rapidly rewriting box office history, surpassing US$400 million worldwide in less than 10 days and overtaking Elvis to become the second-highest-grossing music biopic of all time, with expectations it will soon claim the top spot.
The film’s commercial momentum has been striking.
It recorded US$6.6 million on its first day on Thursday, setting a new benchmark for music biopics and outperforming comparable titles such as Straight Outta Compton and Bohemian Rhapsody.
Within eight days, it amassed nearly US$130 million domestically, while international earnings climbed past US$169 million across 82 markets.
Its explosive debut followed a record-breaking opening weekend, reportedly surpassing Oppenheimer for the biggest opening ever for a biographical film, further cementing its status as a global box office phenomenon.
Yet the film’s financial Reviews have been sharply divided, with critics largely dismissive while audiences have responded with overwhelming enthusiasm.
Among the most pointed critiques, one reviewer described the film as “bland, bowdlerised and bad” and “frustratingly shallow”.
Despite this, cinema halls have been packed, with viral videos showing fans dancing in aisles during screenings. In New York, audiences arrived in outfits inspired by Jackson’s iconic looks, turning screenings into celebratory events.
“I had to come see it again, because I thought it was amazing,” said Joanne, a university student attending her second viewing. “I think it’s put together nicely as a starter for fans to get into him.”
Others were drawn more by the cultural buzz than critical opinion. “I haven’t really been going to the movies since the pandemic, but I came to see this one because of the hype around it and I’m a big Michael fan,” said Melanie, a first-time viewer.
Some, however, expressed reservations about omissions in the storyline. “I was on the fence about it, and what really made me skeptical was when I heard Janet isn’t featured in it because I know they were very close,” said Belize, who ultimately chose to watch another film.
Directed by Antoine Fuqua, the film traces Jackson’s rise from his early years with The Jackson 5 to global superstardom.
Performances by Jaafar Jackson and Juliano Valdi have drawn praise from audiences, particularly for their striking vocal resemblance to the singer.
The narrative also touches on Jackson’s eccentric lifestyle, including his fascination with childhood themes and his relationship with animals such as his pet chimpanzee, often presenting these elements with humour.
Notably, the film stops short of depicting the more controversial later chapters of Jackson’s life. It concludes with a “His Story Continues” title card, fuelling speculation about a sequel. Reports indicate that earlier versions of the film included references to allegations against Jackson, but these were removed due to legal constraints.
Audience reactions remain mixed as viewers leave cinemas. “Jaafar did very well, but it was certainly missing some things,” said Andrea. “I wanted more.”
Others reflected on the enduring complexity of Jackson’s legacy. “I think it’s a profound demonstration of Michael Jackson’s power and influence that people will come to see a movie almost 20 years after his death,” said David, a journalist. “People are complicated.”
The film’s combination of record-breaking commercial success and polarising reception underscores both the enduring appeal and the contested legacy of one of music’s most influential figures. - May 3, 2026
